Sunday, 5 August 2012

Wearing the world










The hiker.



He had been out of his head for a long time now, and it seemed as if he would never return. 

The scent wafting from the undulating grasses made him feel almost delirious, but he pushed on for he wanted to reach the base of the mountains by nightfall, and the narcotic effect of the grasses made him apprehensive about stopping for even a short rest.

The trail he followed thrust ahead like a crooked stick of ebony lightning against the rich creaminess of the veldt. It must have been cut by generations of migrating animals. A vein of hope through this landscape, a portent perhaps of what lay ahead. Despite the glowering purple height far ahead and the track he followed the view was one of unbroken monotony. 

He was now in the heart of the country; only a handful of men had penetrated this far inland before. Of these, only two men had ever returned, and they had said little of their adventures- and they only had small pebbles, for which they nevertheless made extravagant claims, as evidence of their journeys.
It was rumoured that these chips of glacial debris, which the scientific media labelled 'the dreaming stones' possessed telekinetic  powers. Some had claimed to have seen the stones levitating and passing through walls and persons with no damage occurring to either. Others had heard the stones speak. Unfortunately, most of these apocryphal tales originated from gossip and folk legends and were not given much credence generally. Other men like to keep their dreams to themselves: the two who  had returned from The Heartland died with theirs, and the stones were not found among their belongings.

The backpack troubled the hiker, its straps chafing his aching shoulders. He was hot and uncomfortable and his throat tight and dry from the pollen of the grasses. He longed for water but the supply in his canteen was perilously low. Goaded by his own dreams the hiker dragged his weary frame on towards the beckoning mountains.

Eventually he came to a halt, despite fears of the grasses' narcotic effects overwhelming him, and took a mouthful of water with a savoury rusk.

While he rubbed an analgesic ointment into his raw shoulders he looked back across the expanse of the grasslands. The monotony of the landscape was really an illusion he thought now he had come to pause and let his eyes linger over it. Though, apart from the hewn track, there was little evidence of local fauna, the sea of grass had a corporate existence of its own, its own repertoire of sounds- nearby rustlings as individual stalks jostled for position, and a hushed whisper in the background where the voices of the soft wind and a myriad grasses sang together in a chorus of almost infinite numbers in an hypnotically endless song.

And it moved like the fur pelt of some huge exotic beast breathing in its  sleep, the soft but persistent winds furrowing illusory paths through the expanses of grass, revealing a muted band of shades passing from off-white to a tawny gold.
The hiker found that the soul of the veldt was getting to him, communicating its euphoric seductiveness, and he felt a lingering contentment.

He heard someone calling to him, a human voice, other voices shouting from a far off place, and there was a shape- not very distinct- coming toward him through the rolling yellow grass. He shook his delirious head and looked again, but there was nothing but the endless veldt, the fierce eye of the sun, and the dreaming wind. And...the mountains. The hiker forced himself to his feet again.



The writer



He had been out of his head for a long time now.
He returned to his surroundings, perceiving the typewriter before him and the open window through which floated the aroma of  newly-mown grass and woodsmoke from a bonfire, the cup of cold coffee and the burnt out cigarette in the ashtray. 

He looked at the photograph of his wife on his desk and tried to blank her out from his thoughts. Her sudden departure two days before had upset his writing routine; his daily quota of words had dropped to about five hundred. The novel he was working on seemed a superfluous thing, the words he laboured over futile sound symbols. Even the threat of unpaid bulks accumulating could not spur him on. He rise to make fresh coffee.

As he returned to his desk the telephone rang. He picked it up and said without thinking 'Jane?'. It was a woman's voice, but not hers. Monica, one of Jane's closer friends. He told her about Jane's sudden flight and asked her to let him know if she heard anything, for Jane had left no message, and most of her clothes were still in the flat. Monica muttered a few reassuring noises before ringing off.

He felt empty- washed up- with the receiver purring in his hand.

Minutes later another cup of coffee was turning cold on his desk.





The hiker.



At first he was unable to recollect where he was but, as his head cleared, he remembered it was past dusk when he has bedded down among the rocks and had been unable to see enough to make out the lie of the land. Besides, he had felt too tired and hazy to care much about his surroundings after the trek across the grasslands.

He took stock of his surroundings- there was scant vegetation, some mosses and lichen clinging to volcanic rocks (probably a rhyolite), yet there was something about their texture that reminded him of granite: a strange hybrid moulded by unknown natural forces. There were straggly clumps of the narcotic cereal in little fertile pockets amidst the rocks but generally the immediate area looked quite arid. Many of the dips and crevices in the rocks were water-filled and, after tentatively tasting the water in one of the rock pools he bathed his face and drank greedily.

The land sloped gently upward toward the mountain for about half a mile before rapidly increasing in precipitation and soaring to about four thousand feet above the plain. He could not see any accessible gaps along the base of the mountain. There was no alternative but to tackle the slope head on. It was a sombre thing to look at, a soaring slab of rusted grey rock like a bird of prey with outstretched wings ready to launch its huge granitic mass into the still, clear air.

After traversing the half mile through that barren terrain he fastened crampons to his boots and pulled on a sweater because he was already beginning to feel a drop in temperature. The first part of his ascent was an easy uphill walk but halfway up the incline became so steep he had to use handholds to pull his body upward.

After groping and scrabbling on the rock face for what seemed an interminably long time he had the fortune to find a narrow ledge that seemed to lead all the way up to the summit. 

The ledge stopped abruptly twenty feet from the top and the hiker nearly lost his foothold. He swore in frustration and his legs trembled a little when he looked down the sheer precipice.

He had reached his first impasse. He knew he couldn't go on because his body ached from the last part of the climb, and there seemed to be no way forward. Securing himself to a piton on the rock face he rested on the ledge.

If he had had enough pitons he could have climbed the vertical wall above quite easily, but he only had three which he needed to use again. His only choice was to retrace his steps along the ledge and see if another way would reveal itself.

The hiker's hopes were restored when he found a way twenty yards down the ledge. At that point there was a crack in the rock face wide enough to admit him about nine feet above the ledge. If he could drive one piton in about halfway up then he could hoist his frame up into that crack, where he had a hunch he would find a gap or chimney leading to the top.

Half an hour later he squeezed out of the top of the rock chimney onto the summit.

The view on the farther side at once excited and dismayed him. A vast volcanic crater gaped at the sky like the charred eye socket of a corpse. At its centre lay the silvered lens of a lake, a receptacle for the nebulous threads if waterfalls weeping down the crater wall on the far side. There were no trees or vegetation, but an air of oppression hung over the area, full of the funereal shadows of black basalt. It was a place he thought where men go to die, where souls lie heavy in the crater floor, beneath the water. And he felt as if his bones had turned to lead as he picked his way down the scree-covered slope.



(notes: I like this and can now see ways of spinning this out further. Who is the hiker. How did  he get to setting off on this trip. Why are the heartlands relatively unexplored? Why aren't they harvested for their narcotic properties? Are there letters and other documentation to be quoted from. Where does he go to next and who will he meet and what other dangers await him?)

Tuesday, 26 June 2012

Music - A View from '82

'I hear music in my dreams, in water pipes, on the seashore, in the grass and trees, in the modulations of human voices, in motor engines, in birdsong and in factories.

I cannot escape it. My mind creates meaningful music out of nothing but random sounds.

Only on a black volcanic desert in Iceland was I able to escape this world of sound. The absolute silence was, in its tranquility, the most perfect piece of music I had ever heard; so peaceful to my ears, so clean and untainted by man, though one of my two companions found it eerie and unnerving.

Music emerges from a chaos of noise in every sense. A record has blemishes- it crackles, or you hear a faint background hiss from the tape. And at concerts the music emerges through the coughs and fidgeting of the audience.'

Wednesday, 8 February 2012

Back to Bomarzo

After my last blog post regarding lost rapidshare links to my flawed recording of Bomarzo I found a picture of the cover to the deluxe edition. There was (or is) a copy available on Amazon.com for less than 50 USD. This recording was also used as the soundtrack to an experimental film called BOMARZO 2007- a taster of which exists on YouTube (see link below)
http://www.youtube.com/watch?v=qWM2bShnC-8&list=FLgs93Q6yKIj2I1s-wvJsJ4A&index=4&feature=plpp_video

Wednesday, 1 February 2012

Apologies to any readers looking to download from Rapidshare links. My account with Rapidshare has expired and thus the links have perished. Apropos of the Ginastera Bomarzo link- what I obtained was a flawed download and I was only able to get disk one to work properly. I know this set is available at a high price occasionally through eBay or vinyl dealers but also have seen that it was reissued on CD in a luxury edition by the Opera company that originally staged it for the recording.

Dr David Wright

Dr Wright has a website posting articles on classical composers as well as classical performers. I have found it quite fascinating reading because he brings to light a lot of unsavoury aspects of various composer's lives. For instance, Sir Edward Elgar gets a very bad press. Now, I happen to like a bit of Elgar- mostly the symphonies and Alassio (In The South) but find the Enigma Variations a bit tedious and have never yet got through the symphonic poem 'Falstaff'. As for 'Gerontius' I have tried many times to like it but have now (after reading David Wright's comments) feel justified in giving up on it.

The composer who gets the worst press of all is Benjamin Britten - the most odious man he had ever met.  Now that one had me hopping from one foot to the other. There's a lot of Britten's music I like but Dr Wright's comments tend to make me see his output in a rather different light than before so there's a massive reassessment going on.

What I don't like about Dr Wright's writings is that he seems to be a little homophobic (though it's odd that he calls Bruckner a spiritual man and makes no mention of his homosexuality) and also rather repetitive. The phrase 'a real man' keeps cropping up in the biographies of heterosexual composers. And several times he reiterates that Walton thought that Shostakovich was the greatest composer of the last century (something I wouldn't try to deny).

Anyway, Dr Wright's writings are very interesting and persuasive if not a little contentious, but beware- they can really distort your perception on the music you love.


http://www.wrightmusic.net/



Sunday, 6 March 2011

Memento mori

I was without any home internet access for virtually the whole of December 2010. Therefore I missed hearing about the deaths of three creative people whose work I enjoyed (and still enjoy) until very recently.

Firstly Boris Tishchenko died on the 9th of December. And then Jean Rollin on the 15th December. Finally Don Van Vliet died on the 17th December.

Tischenko was a pupil of Ustvolskaya and Shostakovich. They both influenced his own music but he did have his own voice. His music was uneven in quality but when he was good (as in the two violin concertos and the harp concerto) he was very good.

Jean Rollin has long been a favourite film director of mine. His dreamlike vampire films are so different from either Hollywood or Hammer horror.

And Don Van Vliet - Captain Beefheart - was simply a one-off. There's nothing in rock music quite like 'Trout Mask Replica'



Thursday, 9 September 2010

Frank Zappa revisited

Frank Zappa. I’d forgotten what a huge fan I was of the music of FZ; I’d shut the door on him for quite a significant period of time. But now a restrospective is in progress: coming back again to all the old albums brought back to me how much I used to enjoy the music.
I guess nowadays I find the comedy/social comment songs a bit tedious (actually, I could never get through ‘The Torture Never Stops’) but the sheer invention and the range of styles he used still floors me. My first encounter with Zappa’s music was when I saw a copy of ‘Freak Out’ in Woolworths. In the liner notes it quoted Edgard Varese: ‘The present-day composer refuses to die’. Cool, I thought, here’s a rock musician who’s heard of Varese (whom I had already discovered before I got into Rock).
I was hooked instantly. It was rather ironic, I thought, that one of Zappa’s favourites – Anton Webern – was shot in 1945 by an American soldier because he was out after curfew.
Wish Frank had given up the fags (British meaning) and coffee years ago; he might still be with us now.
Oh well, there's the legacy. And the fact that his music is still performed, not only by his son Dweezil but also by 'classical' ensembles. I think he would have been happy about that.